Home is so Sad by Philip Larkin

Home may be sad, but I don't find this poem to be. It's quiet, clever and intense. Larkin's music--the way he ebbs and flows within the form--is just gorgeous. Notice how the last few images resonate.

Home is so Sad

Home is so sad. It stays as it was left,
Shaped to the comfort of the last to go
As if to win them back. Instead, bereft
Of anyone to please, it withers so,
Having no heart to put aside the theft

And turn again to what it started as,
A joyous shot at how things ought to be,
Long fallen wide. You can see how it was:
Look at the pictures and the cutlery.
The music in the piano stool. That vase.

Philip Larkin was born in 1922 in Coventry, England. Like Thomas Hardy, he focused on intense personal emotion but strictly avoided sentimentality or self-pity. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985.

Patience by Kay Ryan

This week, a poem by the woman who was just named America's next poet laureate.


Patience

Patience is
wider than one
once envisioned,
with ribbons
of rivers
and distant
ranges and
tasks undertaken
and finished
with modest
relish by
natives in their
native dress.
Who would
have guessed
it possible
that waiting
is sustainable—
a place with
its own harvests.
Or that in
time's fullness
the diamonds
of patience
couldn't be
distinguished
from the genuine
in brilliance
or hardness.

Kay Ryan who teaches in Marin County, California, is the author of six books of poetry.

The Portrait by Stanley Kunitz

Kunitz generates so much emotion in this tiny poem. It's a tough one, but I really admire it.

The Portrait

My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
that spring
when I was waiting to be born.
She locked his name
in her deepest cabinet
and would not let him out,
though I could hear him thumping.
When I came down from the attic
with the pastel portrait in my hand
of a long-lipped stranger
with a brave moustache
and deep brown level eyes,
she ripped it into shreds
without a single word
and slapped me hard.
In my sixty-fourth year
I can feel my cheek
still burning.




Stanley Kunitz was born in Worcester, Massachusetts, in 1905. He attended Harvard College, where he received a bachelor's degree in 1926 and a master's degree in 1927. He served in the Army in World War II, after a request for conscientious objector status was denied. Following the war, he began teaching, first at Bennington College in Vermont, and later at universities including Columbia, Yale, Princeton, Rutgers, and the University of Washington. He was named Poet Laureate of the U.S. in 2000. He died at the age of 100 on May 14, 2006.

Introduction to Poetry

Here's some cleverness from Billy Collins. As someone who's taught poetry, I can relate to this one.

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

Billy Collins was born in New York City in 1941. He served as the Poet Laureate in 2001 and is the author of several books of poetry.